These are the final images for my Photographing Light studio group's still life series. Now with more interesting compositions, more intentional application of paint both physically and symbolically, and more even lighting. Artist statement below.
At first - no, the entire time - we were frustrated that we had to reshoot these images, particularly the one of the cigarettes. We were in love with the cigarette image from the first shoot and wanted to keep it, bad mouthing the cruel professor who would dare force us to push ourselves to make something better. I'll admit, I took part for a minute or two. But at the end of critique today, I was putting my notes away and came across the prints from the first critique and saw that cigarette image again. Guess what? The second one was better.
"Fine, Universe. Lesson learned." (...y lo siento a mi profesora.)
Artist Statement The significance of an object is unique to the hand that touches it. In this series of images gold paint is used to explore our connection to an item in a specific moment of time. While the objects in play are universal, they become idiosyncratic due to the nature of the person’s touch. Manipulations that occur at these impressions are represented by gold paint, creating a visual conversation with inanimate objects.
Lighting Statement Softer studio lighting was used here to create evenly, yet richly, lit scenes for our objects. Umbrellas and light covers acted to diffuse the light and give the image an overall subtle glow. At times, we enhanced this effect by using the gold reflector. These elements together set a transcendental tone which aids in conveying and translating our concept.
Collaboration By Marissa Billmeyer, Sara Murillo, Kristen Williams, Kimberly Wronkiewicz